The Look of Ultimates Volume 3

Well, they've released a piece of Mad's cover art for the first issue of the next Ultimates story line:



This art comes to us via IGN.com.

Pitch of Fear

The Web of Caves

The Doctor is imprisoned

Brilliant

A Final Crisis Teaser

Well, we knew a third Crisis was coming because of the not-so-subtle hints, and the fact that Countdown has to be counting down to something.

DC Comics has provided Newsarama with the following image (by 52 cover artist JG Jones), and offered no further comment.

Blah Blah Blog by Tom Brevoort

I'm really not sure if it would have been any better, but Tom Brevoort is posting Mark Millar's original pitch for Marvel Comics' Civil War event on the Marvel website.

Mostly this is being posted so that people can see the process of how a pitch is turned into a book.

As I mentioned on Friday, this week I'm planning on posting a series of documents from the making of CIVIL WAR, since people seem to be interested in that, and since the earlier series on HOUSE OF M was so well-received. So that's what you all have to look forward to in the days ahead.

To start with, here is the first document written by Mark Millar outlining his initial ideas for CIVIL WAR. This was done immediately after the creator conference at which the initial ideas for CIVIL WAR were thrown around, and you'll see Mark make reference to some of those conversations herein. Also, the version I've chosen to upload has notes incorporated into the body of the text from both Joe Quesada and myself, so you can get a sense as to our innediate eractions to the specifics of what Mark was proposing. And because I can't seem to do different colors in this blog, the Joe comments are labeled JQ, and my comments are labeled TB.

Origins Photos

Here's a montage of some of the photos that I was able to take before the batteries in my camera died. Sorry there weren't more of them. I wanted more pictures.



Here's a link to the photoset.

Jack Kerouac's Famous Scroll, 'On the Road' Again

This September marks 50 years since Jack Kerouac's On the Road hit bookshelves, stirred controversy and spoke — in a new voice — to a generation of readers. Today the beat travelogue continues to sell 100,000 copies a year in the U.S. and Canada alone.

Legend has it that Kerouac wrote On the Road in three weeks, typing it almost nonstop on a 120-foot roll of paper. The truth is that the book actually had a much longer, bumpier journey from inspiration to publication, complete with multiple rewrites, repeated rejections and a dog who — well, On the Road wasn't homework, but we all know what dogs do.

But the scroll: That part's true. Jim Canary, the Indiana University conservator who's responsible for its care, says Kerouac typed about 100 words a minute, and replacing regular sheets of paper in his typewriter just interrupted his flow — thus the scroll.

But Kerouac's brother-in-law and executor, John Sampas, says the three-week story is a kind of self-created myth. 'Three weeks' is what Kerouac answered when talk-show host Steve Allen asked how long it took to write On the Road.

Origins: Day Two Wrap Up

Well, this is the final report of our trip to Origins. Sunday was pretty much: visit the Exhibitor's Hall one last time and pick up anything interesting. It was a bit disappointing that more of the publishers weren't having specials for the last day, but I guess they would rather just pack it up to GenCon.

I do have to say that I was unimpressed with the quality of the Hawkmoon books that Mongoose was selling. I thought that the print quality was such that it was obvious that the book was POD, not to mention the fact that the covers were bowed because they used too much glue on them. Not very impressive over all.

However, I was impressed yesterday. Brad Elliot of EOS Press offered a demo of Unhallowed Metropolis for Aren and I. The character generation was pretty easy, we managed to make two characters in about 20 minutes or so, and the simple combat that we ran through was pretty easy and quick. The game utilized a simple Attribute or Skill plus 2d10 versus a set target number for resolution. Like I said, quick and easy. In a lot of ways, the system reminded me of Unisystem. Which, frankly, isn't a bad comparison for me. The setting of the game came across and very evocative and interesting, and the ashcan copy that he had at the con was actually very nice looking as well.

The only bad thing was that I couldn't actually preorder a copy of the book, which after the demo I really wanted to do. EOS doesn't offer preorders until the book is at least on the ship coming back to the States. All in all, I think a good way of handling it. This is something that I am now officially looking forward to however.

Other pluses: I found a dealer selling EOS's Weapons of the Gods for $10. I couldn't really resist the price, and I've heard a lot of good things about it. Brad was also kind enough to sign it for me. Finally managed to find a copy of the Magic Box for the Buffy game, as well, so that was a good thing too.

Overall, I saw some people that I hadn't seen for a while, met some nice new people, and had a pretty good time at Origins. It was a shame that the con was so much smaller this year. I hope that if attendance was down, it was only due to the registration problems with their website. I really like have a con like this in "the backyard" so to speak. It was a good time.

Oh, one last thing. The batteries in my camera died on Saturday so I wasn't able to get as many pictures as I wanted and I can't upload them just yet either. Probably tomorrow.

Origins: Day One Overview

Well, yesterday was our first day at Origins. I have to say that I was a little underwhelmed with my first impressions. Really, it seems like the con's industry attendance has shrunk again. Last year, WotC pulled out (which considering they have GenCon and that stuff up in Wisconson I can understand why they might not have needed Origins) of the show but it really felt smaller this year. The exhibitors room just seems to be rattling around in all of that space this year. Maybe that is a good thing for those publishers and dealers who are there. I'm not sure, it just seemed to have gotten smaller.

I played in a Call of Cthulhu game set in Tombstone. It was an interesting session, with a cool twist to the story in the end. Everyone seemed to have a good time about it. I did get to meet Matt Wiseman finally, too, so that was good.

Ran into Brad Elliot of EOS Press as well. My reputation from RPGnet proceeds me, at least in a good way with him. I saw a proof for Unhallowed Metropolis (more information here), their upcoming Victoriana/horror game, and I have to say that it looked pretty cool. The art was incredible and it just sucked you into the world of the setting. He said that it would be a GenCon release, and I have to say that it is something that I think that I'm going to be looking forward to. Brad also offered an after-hours demo, so I will have to try to take him up on that.

New Stuff Picked Up: True20 Companion and Mutants and Masterminds Pocket Players Guide from Green Ronin. They certainly had a lot of stuff in their booth.

Afterwards, met up with Gary Mengle and some others at Barleys (a brew pub across from the Convention Center) and had some very excellent micro-brewed stout. Perhaps a little too much, but it was a fun night. Also ran into Dave Bellar at the bar (which was a bit of a surprise) and we're going to try to meet up today at some point.

There's some interest in a Spirit of the Century game tonight, so that will probably take up part of the after-hours today.

All in all, looking forward to Day Two.