IDW Announces Kaluta & Lee's Starstruck

This is coolness. I can't wait to see this series re-issued.

IDW is proud to announce the return of the science fiction classic, Starstruck, to comics. Debuting in August, the 13-issue series will showcase the fine writing of Elaine Lee and the remarkable art of Michael Kaluta. Scanned from the original art to ensure the highest quality, the entire series is being re-colored by fantasy artist, Lee Moyer, whose painted work has appeared on the covers of books by Iain Banks, H.P. Lovecraft and Marion Zimmer Bradley.

'Starstruck is a classic work, and some of Michael’s very finest art—it has been out of print for too long,' said Scott Dunbier, IDW’s Starstruck editor. 'Our series will present Elaine and Michael’s vision as never before. New readers will be astounded by it, while diehard fans will delight in seeing their old friend looking better than ever.'

We Have Ignition!

I has new blog. What could it be for?

John W. Campbell

John W. Campbell: "John Wood Campbell, Jr. (June 8, 1910 – July 11, 1971) was an influential figure in science fiction. As editor of Astounding Science Fiction (later called Analog Science Fiction and Fact), from late 1937 until his death, he is generally credited with shaping the so-called Golden Age of Science Fiction.

Isaac Asimov called Campbell 'the most powerful force in science fiction ever, and for the first ten years of his editorship he dominated the field completely.'"

Space Opera

Space opera: "Space opera is a subgenre of speculative fiction or science fiction that emphasizes romantic, often melodramatic adventure, set mainly or entirely in space, generally involving conflict between opponents possessing powerful (and sometimes quite fanciful) technologies and abilities. Perhaps the most significant trait of space opera is that settings, characters, battles, powers, and themes tend to be very large-scale."

Astounding Science Fiction

Astounding Science Fiction: "Analog Science Fiction and Fact is an American science fiction magazine. As of 2009, it is the longest continually published magazine of that genre. Initially published in 1930 in the United States as Astounding Stories as a pulp magazine, it has undergone several name changes, primarily to Astounding Science-Fiction in 1938, and Analog Science Fact & Fiction in 1960. In November 1992, its logo changed to use the term 'Fiction and Fact' rather than 'Fact & Fiction.'"

Planet Stories

Planet Stories: "Planet Stories was a pulp science fiction magazine, published by Fiction House with a total of 71 issues appeared between 1939 and 1955. It featured a particular kind of romantic, swashbuckling adventure in a science fiction context, and was renowned for its colorful covers, typically featuring a young woman in (for the time) rather scanty apparel. For a brief time it was edited by Jerome Bixby. Twenty years later many of these stories were reprinted in paperback as space opera or science fantasy."

Startling Stories

Startling Stories: "Startling Stories was a pulp science fiction magazine which also published a lot of science fantasy. A companion magazine to Thrilling Wonder Stories and Captain Future magazine, it published 99 issues from 1939 to 1955. It was edited by Sam Merwin, Jr. from 1945 to 1951.

It featured a novel in each issue, several of which were written by Henry Kuttner. Among the classic stories which were published in it were The Black Flame by Stanley G. Weinbaum, The Last Days of Shandakor and The Star-Men of Llyrdis by Leigh Brackett, and Against the Fall of Night by Arthur C. Clarke. From 1940 to 1952 it featured covers by Earle Bergey. After Captain Future magazine ceased publication, some of the final stories about the eponymous character were published in Startling."

Golden Age of Science Fiction

Golden Age of Science Fiction: "The first Golden Age of Science Fiction — often recognized as the period from the late 1930s through the 1950s — was an era during which the science fiction genre gained wide public attention and many classic science fiction stories were published. In the history of science fiction, the Golden Age follows the 'pulp era' of the 1920s and 30s, and precedes New Wave science fiction of the 1960s and 70s. According to historian Adam Roberts, 'the phrase Golden Age valorises a particular sort of writing: 'Hard SF', linear narratives, heroes solving problems or countering threats in a space-opera or technological-adventure idiom.'"

Ethan Van Sciver - Behind the Lanterns' Looks

It's not Marvel Zombies with the whole tacky thing they do, where you see Peter Parker like, eating Aunt May. You just want to shower and cry and go talk to your minister. We're not going to do that.

First Look At: The Web...