Action-Heroes RPG: Ground Division

 

I am working on some expanded setting material for my Action-Heroes game that will end up, at the very least, in the hands of the backers of my Patreon. Ground Division is 90s-style conspiracy/espionage action inspired by movies of the era and a number of comics from that time.

In the ramp up to launching the Kickstarter for the game, I talked about a couple of the primary influences on my design choices for the game. The name Action-Heroes is an homage to a line of characters originally published by Charlton Comics, and now owned by DC Comics. Back in the late 60s and early 70s, when Charlton was at the height of its publishing (such as it was, unfortunately) they had a line of heroic fiction that was a mix of offbeat revamped costumed heroes from the mind of Steve Ditko, espionage and military comics, and a couple of martial artists that haven't aged well. But, at that time the term "super-hero" was a trademark co-owned by DC Comics and Marvel Comics. Dick Giordano, then editor at Charlton Comics, came up with the idea of calling their characters Action-Heroes (with the hyphen) instead. He felt that label fit their characters better since they weren't really mainstream super-heroes, like those published by the other comic companies.

Action-Heroes Is Coming!

After years of development and writing, along with more than a couple of pandemic-related delays, my Action-Heroes role-playing game is finally coming to Kickstarter next week. You can click here to sign up to receive a notification when the project launches next Tuesday.

I am really happy to have the game so close to the finish line, because I have put a lot of work into this system over the years, and I am really proud of the end result. Please sign up for your notification, and also please support the game's Kickstarter project. There are only supposed to be a couple of stretch goals, but they are going to provide some nice upgrades to the game if we hit all of them. 

Thank you all in advance.

Some Action-Heroes FAQs

 

With the release of the ashcan edition of Action-Heroes by Outland Entertainment over at DriveThruRPG there have been a few questions that have floated around the internet and come to my attention, so I thought I would make a post of some of these questions to point people towards. I don't know how frequent these questions have been, but they have been asked about the game.

The ashcan is no longer available for sale now that the Kickstarter has launched.. The ashcan has everything that you need to play a game of Action-Heroes, but it isn't the complete game that will eventually be available on Kickstarter and retail. The final version of the game will also have a series of appendices that outline an alternate magic system for the game, go over some collaborative setting-building rules for groups that want to create their own worlds from scratch, and a series of examples that take you through the process of building powers and special abilities for your characters in the game.

Action-Heroes is something that I have been working on for a long time, and has its origins in a system that I was asked to build for a licensed tabletop RPG that didn't come to fruition, so the rights to the system stayed with me. It is a simplified and streamlined version of one of my earliest professional game designs, and I think it is a design that represents where I am today as both a designer and game player/GM. It uses a simplified ruleset that is augmented by the ruling of the GM, and the needs of the players, that come up during play.

Safety And Tabletop RPGs

 

Photo by Serge van Neck on Unsplash

I have been gaming for a long time. I first started playing D&D back in 1979, when I was still in elementary school. I would have been a couple of years older than the characters in Stranger Things (I grew up in a small town in Indiana, too). When I was a kid in the 70s and 80s things were different. The general idea of dealing with things that were uncomfortable or dangerous was that you "sucked it up" and dealt with it.

Honestly? That's not a very good way to deal with things that can be potentially traumatic. So I think that one of the better advances that has come along in tabletop RPGs has been the development and increasing popularity of using safety tools in gaming. 

I haven't always been a fan of using safety tools while gaming, but I have seen the light. At this point I think that safety tools should be a part of your RPG's text, if you're a game designer. My Action-Heroes game (currently out in an ashcan edition PDF from Outland Entertainment) uses safety tools. My upcoming paranormal romance RPG, called Paranormal Friction, will have safety tools. Both games start at the same basic point with them, and Paranormal Friction puts on another couple of layers of tools.

So, what are safety tools?

Action-Heroes RPG Is Out In The World

 

Ahead of the Kickstarter to fund the printing of the physical book, we have finally released the Action-Heroes RPG into the world as a PDF (Note: Now that the Kickstarter is live, the ashcan is no longer available). This ashcan release is a playable version of the game, with all of the rules needed to play and a preview of the art that will be in the final book. The final book will have a full color wraparound cover as well.

Action-Heroes is the culmination of years of work in developing this system. I was running it at conventions in the Before Times, and I incorporated the feedback that I received into what has become the final text.

When I started up my game development Patreon during the early days of the pandemic, I started reworking the text into a game that I wanted to play (really, not making me all that much different from the many other game designers out there). I have posted some new material that I am developing for future releases for Action-Heroes as well.

In my background as a gamer, I have leaned heavily on "generic" games that can be used to realize a multitude of settings and character types, and this carried through into Action-Heroes. I took the lessons that I learned during years of running games like GURPS, Champions/Hero System, Heroes Unlimited, and the big gold book of Basic Roleplaying and combined them with evolving game design ideas and made them into something that I could run without things breaking down at the table.

Top Cow's Sara Pezzini, The Witchblade

 

Witchblade and Sara Pezzini are copyright
and trademark Top Cow.

Once again I am exploring 90s comics characters, and while she might not have been among the first wave of characters put out by Image Comics or Top Cow during that time Witchblade definitely quickly became one of the iconic characters of that era.

This particular writeup is a bit more modular than the previous Top Cow character that I adapted. You can take away the stunts dealing with sensing the supernatural and use the writeup to represent Sara earlier in her career as the Witchblade.

This is not intended to be considered to be an official adaptation of the Witchblade character, or a challenge to any copyrights or trademarks owned by Top Cow.

Cyberforce's Stryker For Fate

 I have a weak spot for a lot of the early Image comics, to the point that I want to make a role-playing game that's an homage to the comics of that era. I am going to periodically post conversions of characters from the comics on posts here on my blog. The eventual mechanics of the game will be based on the Fate Condensed rules, for which you can find an SRD here.

This conversion is not official, nor is it meant to challenge any copyrights or trademarks owned by Top Cow.

My Life With Cyberpunk Gaming

photo by cheng feng

While I had read a few of his short stories in OMNI without knowing really who he was, my introduction to William Gibson came when I picked up a copy of the paperback of the novel Neuromancer when I flew off to my freshman year of college. I picked up the book after I had read a review of it, and an interview with Gibson, in Rolling Stone a month or two before hand. It blew my mind, and was probably the book that I've had copies stolen from me the most.

Law v Chaos (2)

Darkseid by J.G. Jones, from Final Crisis published by DC Comics

Over in Gallant Knight Games' first Tiny Zine Compendium there is an essay by me about the forces of Law and Chaos in fantasy role-playing games. It serves as an early promo for my Demon Codex fantasy role-playing game (still in development/writing).

I am going to go back over some of the basics from that essay here, but I'm going to also talk about the inspirations that have helped develop my take on Law and Chaos in my gaming. Click on the link above and get a copy of the Compendium, there's plenty of cool stuff in it to balance out what I wrote. Yes, that is an affiliate link.

The Path To Whimsy

A long time ago, back in the Stone Age before the internet was what it is today, there was a tool for players that was put out by White Wolf called StoryPath and Whimsy cards. Now, Nocturnal Media have relaunched the lines, and added sets of cards that were originally planned but never launched.

Chris' Picks For GM's Day

RPGNow/DriveThruRPG often has sales, and I don't usually put lists like this today, but I had a couple of people ask for recommendations on what to pick out from the mass of available games. These are my recommendations, in no particular order. There are a lot of games available, and it will take me a while to work through the list, so I will probably update this a couple of times before the sale goes away.

Hubris: A World of Visceral Adventure. Hubris is a really interesting setting for the Dungeon Crawl Classics RPG (also on sale) that is filled with great monsters and a potent Swords & Sorcery vibe. Usable for any OSR game, or D&D-esque system with a little work. If you want a dangerous setting, this is the one for you.

I was really surprised by the Adventures In Middle-Earth Player's Guide. I will admit that I'm not the biggest fan of Tolkien, but this really surprised me. If you want a dark fantasy setting that has the benefit of familiarity to most gamers, Middle-Earth is where you want to go.

NEW is a dice pool-based game of science fiction. Character creation is robust, but quick, and the game is fast-moving. Unlike some other science fiction games, NEW isn't locked into a particular paradigm or style of science fiction. It also has the benefit of being the base for the rules to the upcoming 2000AD/Judge Dredd role-playing game from EN Publishing. I write for EN World, which is run by EN Publishing, so take this recommendation with a grain of salt if you want.

Now, I am the co-publisher at Battlefield Press, so I was involved with the publication of the Ninja High School RPG (I am also working on the upcoming Fate version of the game). But, I would still recommend this game if I wasn't involved with it. Based on the D6 rules originally published by West End Games, the Ninja High School game is a pretty light game itself. This is probably one of the better uses of the D6 rules that I have seen in a long while.

Delta Green is back! Delta Green is a modern espionage role-playing game powered by the Basic Role-Playing engine. Spies and soldiers attempt to hold back the tide of encroachment of the Cthulhu Mythos. I played in this setting a lot when it was "just" a supplement for the Call of Cthulhu RPG. This game is the King (in Yellow) of Cthulhu Role-Playing games.

Colonial Gothic is a horror role-playing game set around the time of the founding of America. Fans of historical settings and horror should check this game out. The system is a unique one, and robust.

As long as I am talking about horror games, be sure to check out the third edition of the classic horror role-playing game Chill. Chill Third Edition is a game of investigative horror and monster hunting. If you're looking for something where the heroes have a bit more of a chance than they might in a more Lovecraftian RPG, you should check out Chill.

Theorems and Thaumaturgy is one of the best third party OSR magic supplements that you will find. I might be slightly biased because the author took a couple of suggestions that I made in putting this expanded second edition together. There are new spells and spellcaster classes designed for Labyrinth Lord, but usable in any OSR game.

Based on the Swords & Wizardry rules (my preferred OSR ruleset), Crypts and Things is a very British take on the old school system. If you were a fan of Warhammer Roleplay, or Games Workshop's old White Dwarf magazine, you'll enjoy Crypts and Things.

I've been a booster of the Hydra Collective designers for a while. If you want some imaginative and psychedelic adventures for your old school fantasy games, you really need to have the modules of the Slumbering Ursine Dunes trilogy: Slumbering Ursine Dunes, Fever-Dreaming Marlinko and Misty Isles of the Eld. Chris Kutalik is one of the most inventive adventure writers in the old school movement currently, and these modules will thrill and freak out your players as they come to terms with the psychedelic fantasy world that he has created.

Inspired by the B/X edition of Dungeons & Dragons and more contemporary games like Dungeon World, The Nightmares Underneath is a "traditional" role-playing game with an nontraditional approach. If you've played classic editions of D&D you'll have this game down in no time at all. The setting of the game uses the inspirations of the Middle East and Northern Africa in its world building.

There's plenty of other games that are available in the sale, but these are some of the ones that I am familiar with. Any of these are worth having on your virtual gaming bookshelves. The sale ends March 13, 2017, so be sure to check it out before then.

So There's This Trailer For A World Of Darkness Documentary...

I will admit that I didn't play World of Darkness stuff until fairly recently. I could have been playing it in the 90s, and 90s me was certainly a part of the target demographic, but many of the people who were local to me at the time and who were playing the game just weren't people that I wanted to game with. So, I went off and read my Poppy Brite and Caitlin Kiernan novels in peace and played a lot of Call of Cthluhu and nowhere near as much KULT as I would have liked to have played.

Mostly I'm saying this to set the tone for the rest of this post.

I get that this is a prelude (see what I did there?) to a marketing piece that is supposed to reestablish the coolness of the World of Darkness and the eventual relaunch of games like Vampire and Werewolf. However, if we have learned anything over the last forty some years of tabletop role-playing games, it is that we can market our games without being a dick to people who like other games and styles of play. That lesson seems to have been lost on the people making this "documentary."

Also what seems to have been lost is an actual grasp of the history of role-playing games. Perhaps they could have fixed this by seeking out some outside voices, people who could speak authoritatively on the history of gaming, and its culture. If only there were people who regularly write about tabletop RPGs, and do so in a a way that demonstrates that they have tried to look at the bigger picture of things.

I am committing what I consider to be the biggest Cardinal Sin when it comes to reviewing: "DON'T BASE YOUR REVIEW OFF OF THE TRAILER." I think that if more people lived by that rule, the internet would be a much happier place. Plus if we got rid of the racist, misogynistic homophobes things would be happier too, but that has little to nothing to do with White Wolf and the World of Darkness. The reason why I'm willing to suspend this rule, in this case, has to do with the history of the people who are now in control of the White Wolf intellectual property. These people seem to be overly enthused about a grim and gritty, dark and edgy culture of the 90s that, while popular amongst a particular demographic (I know, because 90s me was all about a lot of this stuff, and I have the autographed print from James O'Barr to prove it), it was a culture that was, in many, many case, predicated on being shitty to other people. And honestly, being shitty to other people is something that geeks can stand to do less of.

There has been a number of weird decisions being made by the current regime at White Wolf, the recent mobile games fiasco being part of that.

It looks like the people running the show at White Wolf is getting the ball rolling to alienate more than a sizable chunk of their audience. I don't know, maybe they'll pull something out of their asses and it will all suddenly make sense and everyone around the world will join hands to sing a Goth Kumbaya set to a back beat of a guy beating on an old, rusty oil drum with a working circular saw. Or maybe not.

The thing is that this really isn't the way to do things in the 21st century. We can make our games, and promote our games, without belittling our fellow gamers. We can sell our games without willfully ignoring the history of tabletop RPGs. We don't have to be dicks, or talk shit about other games to make the games we love look better. We just have to love them. You know what is infectious? Love. You know what turns people off? Being a dick.

Yes, White Wolf turned a cultural corner in tabletop role-playing games with Vampire: The Masquerade. But, not because the mechanical part of the game was revolutionary. We already had dice pool mechanics (any D6-powered game, Champions and Shadowrun). We already had games that handled horror. We already had games that handled relationships (Pendragon or Ars Magica). We had so many different things.

It isn't the 90s any longer. The industry part of the tabletop role-playing industry isn't the same as it was then. The retail landscape isn't the same as it was then, either. And it is more than just the fact that businesses work differently now from then, but it is the fact that the culture of those who play tabletop role-playing games has (for the most part) shifted. Gaming is a lot more diverse. With diversity comes a wider variety of viewpoints. With a wider variety of viewpoints comes the idea that people look for different things to be "adult" and "mature."

It seems like the people who made that trailer have some outmoded sensibilities. I mean, who knows, maybe they're right. There's always going to be a market for angsty, holier-than-thou asshole types. Maybe there is this huge, untapped market of people who want to dust off their NON vinyl and go watch Mark Pauline do a show. I would be incredibly surprised to discover that is true, even though I would personally love a Survival Research Laboratories revival to happen.

I just wouldn't mind seeing gaming grow up more and decide that treating each other like shit wasn't the way to go.

Warhammer, Warhammer 1 2 3 4 Smutty, Bloody Pictures, Ecstasy

Comic creator Kieron Gillen has a Warhammer blog over on Tumblr. I didn't realize this, and I never thought that I would talk about it, but he brings up some similar points to things that I've talked about with the old Warhammer stuff, and other British properties, like the Nemesis The Warlock comic by Pat Mills and Kevin O'Neil and published by 2000AD.

Read Gillen's post and we can talk about it on the social media where you found a link to this. If you didn't find me directly sharing the link, tag me in it.

He talks about the Warhammer (although he probably meant Warhammer 40K) and how it related to Nemesis:

It’s worth noting that one of the other primary Warhammer influences - and I’d argue THE primary influence on 40k – also uses this dichotomy. 2000AD’s Nemesis the Warlock and associated stories use Law and Chaos, but writer Pat Mills almost always comes down on the side of Chaos. In the universe of Nemesis, the Termight empire of Earth wages a war of genocide against the rest of the galaxy to bring the jackboot down on them forever, chanting catchy slogans like Be Pure, Be Vigilant, Behave. The diverse aliens have to oppose them. The humans are, without a doubt, the bad guys, and “order” is just another word for “monstrous Imperialism”. The humans are grotesque parodies, but the aliens are also explicitly freakish, but their bizarreness bears no relation to their morality. It’s okay to be a freak. It’s better to be a freak – or rather, better to be what Order would label a freak.

I don't have any direct evidence drawing a line between either Nemesis or 40K directly influencing each other, but I've said for a while that the story of Nemesis The Warlock could be seen as the Imperium of Man from 40K as viewed through the eyes of aliens and Chaos. For those who played the more recent versions of the 40K role-playing game (from Fantasy Flight Games and now out of print) you could almost view Nemesis as being a Black Crusade campaign.

One of those dream projects that I have on my list is one of the few OSR projects that I would want to do. Basically it would be my homage to the Realm of Chaos books. It would be four books, one for each of my reinterpretations of the Chaos Lords and their various followers and retinues, specialized character classes pertaining to them, and other fun things like new spells.

Maybe one day some one with the money will let me collaborate with people like +Alex Mayo and +Benjamin Marra on these books. The books would be fun, but they definitely wouldn't be kid friendly.

Gillen pointed this blog post out in his most recent newsletter, which you should checkout.

Also, if you don't get the reference in the title of this blog post, listen to some L7.

Let's Go To Gen Con GoFundMe Campaign

As we all know, going to Gen Con isn't cheap. Even writing for EN World doesn't help to offset all of the costs of going and covering the convention for you, the readers. I started a GoFundMe campaign to help with some of the costs. In addition to just straight donations, I have a couple of fun pledge levels for it, working around the idea that not everyone can go to Gen Con, but they still want to have some of the experiences of the show.

• For $5 I will track down a person, place or thing at the convention (1. it has to be gaming related and 2. it has to be safe for work) and take a picture of it. I will then post the picture to an online gallery here and to social media. If you have a Twitter account, I will also tag you in the post.
• For $10 I will track down a designer or publisher of your request, ask them a couple of questions and post a video of the questions to my YouTube channel. Sorry, but I determine the questions. If the person will not consent to being recorded, unfortunately there aren't any refunds. I will try my best to convince them to let me record them for posterity.

There may be other pledge levels coming, but those are the main ones. They are a good way to augment my coverage of the convention. If you have any questions about the campaign, or would like to know if you can donate in other ways, contact me via the contact box to the left of this post.

I hope to see you at Gen Con this year!

That 10 RPGs Of Your Teen Years Meme

Social media runs on memes, and while I try to avoid them for most parts,I thought that I would talk a little about the "10 RPGs That Impacted Your Teen Years" meme that is going around Facebook (and probably other places).

There are a couple of tripping points for that meme for me. The first has to do with my age, there just weren't a lot of RPG options when I was in my teen years. The second had to do with distribution and retail, and this probably had a much greater impact upon what was available for play when I was younger.

I started gaming in 1979, on the cusp of my teen years. While there was an explosion of things going on in gaming at that time, a lot of it passed by small town Indiana because of the quirks of retail.

I've said a number of times that there was a weird geographic quirk to where I lived in that we never had the availability of a lot of modules in the area where I grew up. We had access to plenty of core rules (and by "plenty" I really mean most of the core rules published by TSR Games), but not much else. Without a local dedicated game or comic store, our game buying was pretty much limited to what was available in the mall: Waldenbooks and K.B. Toys. I think that I was in high school when the space that had been the Under 21 "Goth" hangout was bought and turned into a game store. By then things were mostly set, habit-wise.

Most of my teen gaming years revolved mostly around a couple of games: B/X D&D, AD&D and later on the classic Marvel Super-Heroes game from TSR. The D&D stuff was with the group that I had played with since starting gaming, while the Marvel game was what I preferred to run myself. There were other games, on the edges, I ran Lords of Creation a few times (it was really my introduction to multi-genre gaming), and friends had games like Gamma World, but while I really enjoyed these other games, they never really grabbed me in the way that the others did.

Just before my family moved to Florida, I found the DC Heroes game by Mayfair.

After we moved to Florida, my exposure to gaming increased and I discovered games like Call of Cthulhu, Runequest and Golden Heroes (one of my favorite super-hero role-playing games, a distinctly British game published by Games Workshop). Call of Cthulhu became my bomb, and I would use it for pretty much any style of horror role-playing at the time.

I'm not a huge fantasy fan, and D&D has never had the appeal for me, mostly because of that. It was games like Marvel Super-Heroes and Call of Cthulhu that kept me involved with gaming.

In my college years, moving from the teen years and into my twenties, meant that I was able to be exposed to a lot more games. I was lucky between Tampa, and going back to Indiana for college, to have access to a couple of really good gaming stores, and some great comic stores. This is also the era when I discovered that I could order games directly from publishers, and not be bound to the tastes and predilections of local game stores.

The first real discovery of my college years was when GURPS from Steve Jackson Games came out. It was like the multi-genre play of Lords of Creations, but with a much better system. The first edition boxed set was a little rough, but by the third edition of the game it had settled into a pretty solid system.

In 1987, I read William Gibson's Neuromancer and, as the kids say these days, "mind blown." It took me a couple of years to find the game that meant CYBERPUNK to me. I went through Cyberspace from Iron Crown and SpaceTime from BTRC, but neither of them really appealed to me. Then we found R. Talsorian's Cyberpunk 2013 and (eventually) Cyberpunk 2020. Cyberpunk 2020 is still one of my favorite games, and I periodically dust it off for new games.

There were always other games, but these were the big ones. The 90s, and my 20s and 30s, were mostly dominated by GURPS, Marvel Super-Heroes, Call of Cthulhu (Thank you Delta Green) and Cyberpunk 2020. Most of these still see fairly regular play for me, except for GURPS. I suspect that I am going to be dusting off Cyberpunk 2020 more in the future, only because it is weirdly appropriate to the world that we're going to be living in for the next few years.

I have gotten back to D&D more in the last few years. Third edition saw my entry into professional game writing, like with so many others, but the promise of that edition started to strain under the weight of SO. MANY. OPTIONS. The OSR, and streamlined D&D rulesets like Swords & Wizardry and the Basic Fantasy RPG scratch that itch for me with that style of gaming. The return of Runequest Classic and clones like the remarkable OpenQuest also give me variety in my fantasy gaming. Fate Accelerated has also give me the bones for a gaming system that fits a lot of the needs that I have for how a system works. Like any game, it takes a little tinkering to get the engine really running in the way that you like it, but that is part of the fun of RPGs. Isn't it?

Galileo Games And Brooklyn Indie Games Announce Merger

Brooklyn Indie Games, a boutique tabletop role-playing, board, and card game publisher, is merging with Galileo Games, publisher of fiction and tabletop role-playing games. The Brooklyn Indie Games brand will continue as an imprint under the Galileo Games label. Brooklyn Indie Games owner Tim Rodriguez will be joining Galileo Games as Vice President, Galileo Games’ Brennan Taylor will remain as President.

By bringing on the board game production and design expertise of Brooklyn Indie Games, Galileo Games plans to expand their footprint in the hobby games market, producing innovative card and board games to complement and expand the role-playing games they already offer. Galileo views this as a merger of equals, and the Galileo corporate identity will survive by virtue of its longer history and greater name recognition. With the additional experience and manpower of two companies becoming one, Galileo plans to increase their production schedule and offer a wider variety of products through the retail and direct sales channels.

"Brooklyn Indie is excited to join with Galileo Games," said new Galileo Games Vice President Tim Rodriguez. "They’re a significant player in the industry, having been around since 1995, and Brennan is personally responsible for many innovations that help the indie games industry run as smoothly as it does today."

"I am so pleased to have Tim Rodriguez joining Galileo Games," said Galileo Games President Brennan Taylor. "Tim is one of the best card game designers in the industry, and having him developing our line of board and card game products will make Galileo more competitive in that market. Tim is also a good friend and a person whose interests and business sensibilities are extremely compatible with my own. This is going to be a great partnership, and I’m looking forward to what Galileo will be coming up with as we move into 2017."

Between the two of them, Brennan Taylor and Tim Rodriguez bring over 30 years of game design and production experience to the merged company.

About Galileo Games, Inc.

Galileo Games, Inc. is a publisher of innovative role-playing games and fiction. Galileo was founded in 1995 by Brennan Taylor and Krista White. Since that time, Galileo has grown, publishing a variety of game and fiction titles, including Bulldogs!, The Ministry Initiative, Shelter in Place, Kingdom of Nothing, Mortal Coil, and How We Came to Live Here. Galileo Games, Inc. proudly works with great game designers, including Jeff Himmelman, Ralph Mazza, J.R. Blackwell, Kenneth Hite, and Fred Hicks, and talented writers, including Will Hindmarch, Mur Lafferty, Peter Woodworth, Greg Stolze, and Nathan Lowell. Products from Galileo Games are available through distribution via ACD, Lion Rampant, Golden Distribution, and Indie Press Revolution. Products may also be purchased directly by consumers via Indie Press Revolution and DriveThruRPG. More information can be found at Galileo Games’ web site www.galileogames.com.

About Brooklyn Indie Games

Brooklyn Indie Games is a small game publisher and professional services provider in the wilds of Brooklyn that brings independent designers and artists together to create great games. Brooklyn Indie Games has created and published Ghost Pirates, Backstory Cards, Omega Zone, and Heartcatchers. More information can be found at Brooklyn Indie Games’ web site www.brooklynindiegames.com.

Gods And Monsters

The game that I am going to be running after the holidays for the local people is going to be the Fate Accelerated urban fantasy game that I mentioned before. Here is the basic pitch/mission statement that I gave to the group:

Once Upon A Time...

Your characters were gods, or at least they might have considered themselves to be something like that. They were powerful beings who wandered a world that was simultaneously brighter and more dangerous than the world in which they now exist. There was magic, and monsters and many other things.

Now, you can still do some cool things, but it is nowhere near as cool as what you used to do.

Even though the setting is changed, your story isn't over. You aren't entirely sure why you are still around, other more powerful beings than yourself faded away a long time ago. You know that there are still others like you around. Some of them have adjusted, relatively, to their new stations, much like you have. Others want to try to change things back to the way that they were. Whether that is possible or not, it is hard to tell, but none of the plans have worked in the hundred of years that you can remember.

Maybe you're one of the monsters from the old world. Things are just as strange for you, as it is for the beings who used to be your enemies. You can hide yourself among the populace of the world, to some degree or another, so it isn't like you're "all monster, all the time."

Maybe you're one of those people that others claim never actually existed. They say that you're just a character from a book, or a children's story. You can't possibly be real. You feel real to you, and you remember your life in this world, as well as in the stories that everyone insist are made up.

The world is a strange place.

 I see it as a sort of American Gods meets Fables (or Once Upon A Time) sort of vibe.

My definition of urban fantasy is basically "horror without the scary." You use a lot of the genre conventions and archetypes of horror, but you treat it more like the fantasy genre. If you've never read Nancy Collins' Sonja Blue stories, this is sort of the approach that she took. I never really understood why she was marketed as horror, when she should be considered the Godmother of Urban Fantasy.

Jess Nevin's Red Planet For Fate Core

With apologies to the Sisters of Mercy:

Red
Red planet
Red
Red world

Yeah, that was bad. Anyway.

It is unfortunate that we don't see the depth and breadth of the science fiction market these days that we would have seen in bookstores 30 or 40 year ago. Once again we are in a phase where, if it isn't the new shiny and written by someone whose native language isn't one of the standardized forms of English we just don't see it. Russia, and the Soviet Union when it existed, has long been a source of thought provoking genre fiction that celebrated perspectives that we don't see from American or English writers.

The "golden age" of Soviet Science Fiction was a particularly optimistic branch of SF to boot, which I'm sure surprises anyone old enough to have grown up during some portion of the Cold War.

Red Planet is a new World of Adventure for the Fate Core rules, available at the OneBookShelf sites as a Pay What You Want PDF. Written by Jess Nevins of The Encyclopedia of Fantastic Victoriana and annotating Alan Moore's League of Extraordinary Gentlemen fame, the book is an exploration of the tropes of a nearly forgotten sub-genre of Science Fiction of the 1940s and 1950s from the former Soviet Union.

The PDF isn's a long one, only 64 pages in total, but it has a lot packed into those pages.

The science fiction that is celebrated by Red Planet is particularly pulpy, with echos of the American heroic pulps like Doc Savage, or the space opera of Doc Smith or Flash Gordon. The situations are wild and weird, and often blur the lines between science fiction and fantasy. This approach used to be much more common than it is these days, before demographics and marketing became a part of the creative process of genre fiction.

There was a lot of bad things that happened in the real world under the auspices of the Soviet Union, and Communism, and Red Planet does not sugar coat or ignore them. These aren't Alt-Communists softened up for propaganda purposes. In fact, the setting goes far to show that the Communism of the Soviet Union, and the Capitalism of the United States, lead to war and upheaval in their battle for supremacy. The protagonists of the setting, the nation of the Union of Materialist Republics, are a rebellion against both of these cultural forces. The Materialists were colonists on Mars, the Red Planet of the title.

Once on Mars, these colonists sparked a revolution against both their own Communist oppressors back on Earth and the Capitalist enemies of their oppressors. With their rebellion, these colonists became their Union. Their culture is not only their own, but has also assimilated (relatively peacefully) the native Martian populace. The racial makeup of the Union of Materialist Republics is made up of that mix of humans and Martians. The setting of Red Planet can be viewed as similar to the original Buck Rogers stories, just with less Yellow Menace.

The Red Planet of the setting is a Utopia. So to speak.

If it was a perfect utopia, there probably wouldn't be any place for the types of adventurers that we see in role-playing games. There is going to be friction and conflict between those of the Union, with the various social and cultural factions of the Earth. There is also an extradimensional faction of creatures that are not native to the solar system, or the reality, of the setting. They are two-dimensional beings called the Geometrists. The Geometrists have superior technology to Earth or Mars, as well as psychic abilities beyond anything capable of the people of the solar system.

There is also still "space" for exploration in the solar system, so characters of that type will find plenty to do among the stars of the Red Planet setting.

If you're a fan of pulp science fiction like Flash Gordon, or pulpy science fantasy like Star Wars, there will probably be things in Red Planet that will appeal to you. It is remarkable well fleshed out, considering the short page count, and there is plenty of material to spark adventure in the setting. I am glad to see tabletop role-playing publishers striking out from the safety of traditional fantasy setting and creating worlds that are different and challenging to gamers.  If you haven't checked out Nevin's Red Planet, you really should.

Urban Fantasy Role-Playing And Reading Vertigo's Lucifer

About fifteen years after the fact, I am reading Mike Carey's Lucifer comic that was put out by Vertigo/DC Comics. I picked up the first book of the most recent collected version a couple of months ago. So far I have been a good read, and I will certainly continue the series once I've finished book one.

I don't actually watch the TV show based on the comic, so that wasn't my motivation.

I read Neil Gaiman's Sandman in its entirety (as pretty much every pretentious comic fan of my age group did) as it was coming out. This particular incarnation of the character of Lucifer debuted in issue four of the Sandman comic. In that issue, Dream of the Endless (lead character of the Sandman comic for those who may not have read it) went into Hell to retrieve one of the magical objects that were like the "badges" of his office as the Dream Lord. I won't go into too much detail about that story, because there may be a few readers of this blog who haven't read it yet. I will say that the story ended up with Lucifer abdicating his "job" as the Lord of Hell to become a semi-mortal being.

The Lucifer comic picked up with Lucifer living in Los Angeles and owning a nightclub called Lux.

I think that I expected that Lucifer would be more of a horror comic, like Gaiman's Sandman would often be. But instead it swings like a pendulum between the poles of a horror comic like Sandman was, and more like an Urban Fantasy in the style of Bill Willingham's Fables comic. Actually, I think that the me of now likes it better as an Urban Fantasy story more than the me of 15 years ago, who likely would have preferred it to be more of a horror story.

It is good that we change, and our tastes change with us. It must be a good thing that I am reading this now, because I am more prepared for it than I would have been when it first came out.

As a role-player, I can see this comic influencing a campaign that is in the same space as one also inspired by Gaiman's Sandman and, of course, his breakthrough novel American Gods (which I need to read again before the television show for that starts out next year). Comics are an appropriate place to explore modern mythologies in the mode of Carey's Lucifer or Gaiman's Sandman comics because comic book super-heroes are pretty much our modern American mythology.

Comics and mythology always brings me to one of my favorite songs by the Canadian rock band The Tragically Hip:

I think that the relevance of the song is on an uptick again.

The stories of comics like Lucifer and Sandman exist in our mythic American subconsciousness. This is also where I think a lot of role-playing game campaigns exist as well. These are stories of gods and monsters, the heroes that face both and the mortal beings who ultimately have to deal with all of these things.

I am trying to tie all of this together because, in the next month or so I am going to be starting up a new campaign with some people that I have gamed with for a while, and others that I have never gamed with before. They're voting on what sort of game they want me to run, and one of the choices is an Urban Fantasy game. Whenever I want to run an urban fantasy game, I pull out my old Sandman trade collections and I dig out my CD of Fully Completely by The Tragically Hip and I start to pull together a world that is inspired by the world outside of our windows, but at the same time tied into the mythic undercurrents of our world.

I know. Horribly pretentious, isn't it?

As a GM, my approach to creating a campaign is to think out what I want the world to be like. Imagine who the important characters who aren't the characters will be. Work out what some of the big stories that are going on in this world. Then we plunk the player's characters down into the middle of things, see how they react to the world and what direction we would need to take things into once the irresistible object meets the immovable force. That is where the fun of a campaign comes up for me, as a GM. I don't like to craft the stories of what I want to happen in the world, because I think that takes the choice away from the players, away from their characters, and turns the game more into a novel than the share experience of a role-playing game. Every character in a world should have a story, but those stories should never overwhelm what might happen once the characters exist.

So, hopefully, the players will pick the Urban Fantasy game. We'll see what happens, whichever campaign it ends up being, I will talk about it here over time.

Dorkland Rumblings

I've decided to give the world of online newsletters a shot. Starting sometime during or after the holidays, I will start up Dorkland Rumblings, which will be more or less random things that I want to get out, but don't want to do a full blog post, or put them out onto social media.

Don't expect a lot of inbox clutter from this list, we will probably all be "lucky" if I remember to use it once a month. It will, however, contain adult content (most likely adult language), so if that sort of thing bothers you you might not want to join it. The newsletter will likely also be more plug heavy than other sources, as it will be the place that I will more actively talk about what I'm reading, listening to, etc.

There will also be a box on the sidebar that will allow people to join at any time. I hope that some of you will give it a try.