Carter Denja - 2:30pm - 5:30pm SLT
Gabrielle Riel - 5:30pm - 8:30pm SLT
Walton Vieria - 8:30pm - 10:30pm SLT
Edward Pearse - 10:30pm - 12:30am SLT
Here's the SLUrl for the Edison Ballroom: http://slurl.com/secondlife/
Find out more about Radio Riel.
2010 has been a banner year for role-playing games and accessories -- here's 10 of the best!
They got tired, that’s all, or mostly all. Chicago Tribune columnist Mary Schmich and her drawing partner June Brigman decided in early December to stop producing Brenda Starr, and Tribune Media Services, which owns the strip, seized the opportunity to end its syndication. Last June, TMS took out of its comics line-up the other redhead, Annie, a remnant of Harold Gray’s plucky waif strip, Little Orphan Annie. The final Brenda Starr will run on Jan. 2, a Saturday, finishing the week and ending the nearly 70-year run of one of the medium’s most venerable (and venerated) efforts, undoubtedly the longest-lived newspaper adventure strip with an eponymous heroine and the most famous strip created and produced by a woman cartoonist, Dale Messick, who was fiercely feminine if not so much fashionably feminist.
The Will and Ann Eisner Family Foundation has pledged $250,000 over five years to support the new Billy Ireland Cartoon Library & Museum facility, part of the Sullivant Hall renovation at The Ohio State University. In recognition of this gift, the library’s seminar room will be named in honor of Will Eisner. The Eisner Family Foundation gift will be matched dollar for dollar by Jean Schulz, widow of Peanuts’ creator Charles M. Schulz, giving it a $500,000 impact on the project. Ms. Schulz has promised to match donations to the new facility up to $2.5 million.
Creator of The Spirit, Will Eisner (1917-2005) is noted as the father of the graphic novel for his ground-breaking book, A Contract with God. He was also an early and influential analyst of sequential graphic narrative with his book Comics and Sequential Art. In addition to his eight decade career as a cartoonist, Eisner taught for many years at the School of Visual Arts.
For more than 30 years the Shortwave radio spectrum has been used by the worlds intelligence agencies to transmit secret messages. These messages are transmitted by hundreds of Numbers Stations.Here's a few more links that might be of use or interest to people reading this post:
Shortwave Numbers Stations are a perfect method of anonymous, one way communication. Spies located anywhere in the world can be communicated to by their masters via small, locally available, and unmodified Shortwave receivers. The encryption system used by Numbers Stations, known as a one time pad is unbreakable. Combine this with the fact that it is almost impossible to track down the message recipients once they are inserted into the enemy country, it becomes clear just how powerful the Numbers Station system is.
These stations use very rigid schedules, and transmit in many different languages, employing male and female voices repeating strings of numbers or phonetic letters day and night, all year round.
Another New Year's Eve is upon us, a time to reflect on all that has happened in the previous year and to wonder about events yet to come
In late 1998, I was commissioned to compile and produce the soundtrack for a sequel to the film 'Tron'. A draft of the story had already been written and early filming had begun (as reported by ZDNet on July 27, 1999). As I understand it, the film was kept in great confidence with the producers as Pixar was still in negotiations with Disney about the responsibilities of the production teams.
'Rise Of The Virals' was a fantastic, but much darker storyline from the original -- different from the 'Into The Machine' pitch made to Disney by another party. It involved updating the ENCOM universe to a networked system (thanks to the Internet), but also created a darker world -- full of programs abandoned as buggy systems (or 'mutants') and abused by corrupt users as viral systems. Furthermore, the story included the death of Flynn and presented questions about the digital life of programs lasting beyond the mortality of their creators -- the users.
My task was to compile great underground artists to create a new soundtrack for this darker world of Tron. After the completion of the initial tracklist and first production draft of the soundtrack, it seemed as if negotiations between Pixar and Disney had broken down. Funding for the project was eventually pulled.
I have been most excited to see the announcement of the third film, the new 'TR2N' (Tron: Legacy), especially with the involvement of those who will be creating the new soundtrack. It is obvious to me that 'Tron: Legacy' takes place after 'The Rise Of The Virals' without abandoning its first concept. Perhaps that is why we've seen sites like Flynn Lives creep up in anticipation of the new film.
I've decided to release the preliminary version of the soundtrack which includes a special remix of Journey's 'Any Way You Want It' produced specifically for 'Rise Of The Virals'. Journey provided two songs to the original "Tron", and their song 'Separate Ways' will reportedly be on the 'Legacy' soundtrack as well. In any case, since the story of 'Rise Of The Virals' takes place between the first 'Tron' film and the upcoming 'Tron 2: Legacy', I can't think of a better title for this material other than 'Tron 1.5'. I hope you enjoy the music these artists have put such great work into.
-- Flynn 1.5
This is Culture Bully’s sixth annual list of the year’s top mashups, and this time around I thought it’d be nice to switch things up a bit. Instead of simply compiling a list of my own personal picks, I invited a slew of mashup producers to vote for their favorites from 2010. Quickly, here’s how voting worked: I asked everyone to send in a list of their favorite two or three mashups from the past year (I deleted picks which selected mashups that were released in past years). If they sent in more than three I still listed them below on their individual ballots, but only three picks counted toward the final totals. Whether the track received a first or third place vote, it only counted for one point toward the final total. I also tallied total votes for individual producers; again, only counting individuals’ first three votes. Lastly, no one was allowed to vote for themselves.