GMing Survey Over On Reddit

One of the industry mailing lists that I am on spawns interesting topics for conversation from time to time. I don't follow Reddit, so I can't comment directly on any of this, but I found the post interesting enough to talk about over here. You can find a link to the post here. The poster put up a survey for GMs that received 900 responses, and I thought that some of the responses were interesting enough to talk about. I'm not going to look at the whole survey's results. You can do that on your own.

The majority of you GM more frequently than you play. No big surprise, given the fact that this survey was aimed squarely at GMs. 39% of you reported that you GM "most of the time," while 25% said you're always the GM. Another 25% of you said that your player/GM time is about 50-50, 9% responded "rarely," and both "only when I have to" and "I want to but don't know how" each netted a measly 1% apiece.

As a full-time GM, I can see this. Obviously as the survey was directed to people who GM, there will be some bias in answers. It also shows that games need to probably be better explained and have better examples of play written up for them. Yes, that 1% of people who don't know how is only 9 people, however other people who would have answered this way might not have taken a survey like this because they have not GMed.

"World building" and "Reacting to unexpected choices from players" were your two favorite things about being a GM, with some interesting trends. These two answers made up 66% of the total responses to this question, with basically an even split (34%/32%). An interesting fact is that the fun of world-building seemed to follow a bell-curve: <22 year-old respondents favored world-building much more strongly (42% of responses), while 22-39 year-old respondents liked reactionary play more (34%) and instead spent more of their away-from-table time planning adventures than the younger crowd (15% to 10%). However, among the 40+ groups, world-building once again took the top spot (33%). My theory here is that 22-39 year-olds probably lead the busiest lives - starting families, building careers, and so on - and would rather spend their energy at the table than behind the scenes. Alternate interpretations are, as always, welcome.

I would definitely say that my favorite thing about being a GM would be world building. I like the idea of filling in the little bits and pieces, even if the players don't get to see them, and making a world that we will all have fun playing in. Of course, I also don't take the traditional approach of "THE GM CREATES EVERYTHING AND THE PLAYERS WALK AROUND IN THE WORLD" either. I like to let the players, and their paranoid imaginings, fill in some of the blanks as we play as well. It is worth it to see that look when they realize that the things they have been worrying about are true.

Of course the fact that I'm not really a module kind of guy probably is a big part of what makes me want to build worlds. Even if those worlds are just subterranean dungeons for the characters to explore.

Among Fantasy gamers, Pathfinder and D&D 3.5e are king. 46% of you chose one of those two options (Pathfinder - 31%, 3.5e - 15%). This was true among every single income and age group except for players <18 years old, where Pathfinder still reigned supreme but 4e edged out 3.5e by a narrow margin (19% to 13%).

This is a shock to no one, I'm sure.

Outside of Fantasy, Cyberpunk and Sci-Fi were your favorite genres. Cyberpunk commanded 17% of votes, while Pulp and Hard Sci-Fi boasted 16% and 15% respectively. Modern (Magical) and Horror followed close behind with 13% each. Post-Apocalypse netted 11%, with the other pre-defined categories hanging out around 2-3% each. Most of the write-in responses here were variations on "I LIKE MORE THAN ONE OF THOSE THINGS." Superheroes was the only significant new category to arise from write-ins, with <2% of total votes.

Again, probably not a huge shock. To be completely honest, there's not a lot here that comes as a big surprised to anyone who has been gaming for a while. It is nice to see someone doing surveys and trying to collect data, however. I wish that it was one of the bigger publishers who has the time and money to do this sort of thing on the right scale, and it the right ways. The marketing data from the old D&D market surveys are creaky enough at this point to be largely irrelevant, since they are a snapshot of the gaming scene before the OGL, before indie design and even before the massive increase in the PDF market for gaming.

Valiant Comics And Catalyst Game Labs Team Up To Produce Valiant Universe RPG

So, I mentioned this on Friday. Now it is official and the press release follows:

Valiant Entertainment is proud to announce that it has partnered with Catalyst Game Labs to produce role-playing and tabletop games featuring Valiant’s award-winning library of comic book superheroes. The partnership will lead off in mid-2014 with the release of the Valiant Universe RPG—Valiant’s first-ever role-playing game, designed for the Cue System (the Origins and ENnie awards-nominated system first published in Catalyst’s 1950s Rockets/Rayguns/Robots RPG, Cosmic Patrol). Subsequent releases, spotlighting a wide array of Valiant properties, will follow in 2015 and beyond.

The edge between superhero and villain has never been sharper. In the Valiant Universe RPG, players will immerse themselves in a dark and gritty world where every mission and every battle has deadly consequences. Whether playing X-O Manowar, Bloodshot, Shadowman or even the all-powerful Toyo Harada—or any of dozens of characters—Valiant’s most fearless heroes will unite for the first time in a roleplaying game, allowing you to join their stories and create new ones! Whether you’re a longtime fan or brand new to the Valiant Universe, this is the only source you’ll need to bring Valiant’s leading characters to life in a fantastic superheroes setting!

“This is really a dream come true,” said Randall N. Bills, Managing Developer for Catalyst Game Labs. “I’ve always been a comics fan—as are most of Catalyst’ employees—and getting the chance to publish great games within a fantastic comics universe is spectacular. The fact that it’s Valiant, with its brilliant combination of heroic action and gritty realism, makes this all the more enjoyable.”

Valiant is a leading character-based entertainment company with a library of over 1,750 characters, including X-O Manowar, Bloodshot, Harbinger, Shadowman and many more. Established in 1989, Valiant has sold over 80 million comic books, and today its characters continue to be forged in publishing, licensing, film, video games, and beyond. Since its summer 2012 relaunch, Valiant has returned to the fore as one of the most highly regarded publishers in comics, winning a 2012 Diamond Gem Award for Comic Book Publisher of the Year. Just last month, the publisher announced Valiant First—a brand new publishing initiative primed to unleash a major #1 new series debut monthly throughout 2014, beginning in May with RAI #1—the first issue of an all-new ongoing series from New York Times best-selling writer Matt Kindt with fully painted interiors by superstar artist Clayton Crain.

“Catalyst is exceptional at what they do, and we couldn’t be happier to be working with a games publisher of their caliber on Valiant’s very first RPG. With such a skilled an enthusiastic team at the helm, we have every faith that Valiant’s first foray into the world of role-play and tabletop gaming will live up to the expectations of our fans around the world,” said Russell A. Brown, Valiant’s President of Consumer Products, Promotions & Ad Sales. “Catalyst is dedicated to doing these characters justice, and we look forward to giving our biggest heroes the gaming debut they deserve when the Valiant Universe RPG arrives later this year.”

Look to www.catalystgamelabs.com in the future for more details surrounding these coming games!

For more information on Valiant’s award-winning library of characters, visit Valiant on Facebook, on Twitter, on Tumblr, and at ValiantUniverse.com.

For Valiant merchandise and more, visit ValiantStore.com.

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About Catalyst Game Labs
Catalyst Game Labs is dedicated to producing high quality games and fiction that mesh sophisticated game mechanics with dynamic universes-all presented in a form that allows beginning players and long-time veterans to easily jump into our games and fiction readers to enjoy our stories even if they don’t know the games.

Catalyst Game Labs is an imprint of InMediaRes Productions, LLC, which specializes in electronic publishing of professional fiction. This allows Catalyst to participate in a synergy that melds printed gaming material and fiction with all the benefits of electronic interfaces and online communities, creating a whole-package experience for any type of player or reader. Find Catalyst Game Labs online at www.catalystgamelabs.com.

The Things That You Hear: Licenses And RPGs [UPDATED With Link]

When you're a blogger, or you have contacts within the tabletop gaming industry, you hear a lot of things that never make it out to the general public. Who isn't paying their bills and their freelancers tends to be the thing that you hear about the most. Which publisher lost a licensing deal over non-payment, that sort of thing. DMs on Twitter and private chats on Facebook and G+ give up some of the details on what is going on behind the scenes. Sometimes you pick up things around the gaming table. If you want this information to keep coming you learn to be discrete about things. You want your information to keep coming, after all. This is when a blogger should behave like a journalist and protect their sources.

For example, a piece of information that I have been sitting on for a while now is that one of the well known publishers, known mostly for their science fiction games but also with some fantasy showings, is planning on dipping its toe into the realms of super-hero games by landing a fairly major (to our smaller niche of gaming) comic book license. Will this get past the negotiation stages? I have heard that it has, but as we all well know that doesn't assure that a final product will make the game shop shelves. We will know it when we see it, however. I hope that the game does make it. The license will hold a certain amount of nostalgia for those gamers who are comic book fans, I think, and it will definitely make for an interesting game.

UPDATE: It appears that, while no announcements have been made, there is a holding page for the game on the company's website (http://www.catalystgamelabs.com/valiant/). If you want to keep secrets quiet, you shouldn't go live with your web pages. Actually, I looked for this a couple of days ago and couldn't find it. Hat tip to an astute reader for finding the link.

SECOND UPDATE: I've added some screen shots of the page. Just in case.

I am always leery of licensed games because, whether gamers like it or not, they are going to go away sooner or later. At some point the license will stop being profitable for someone in the equation and the game will go away. Yes, there is always the idea that licensed games will, by their nature, bring non-gamers into the fold, but I don't know if this is a prevalent as it would have been 10 or 20 years ago. Sure, there will be some crossover interest from people with the inclination who had never before gamed but I don't know that it is a big of a market as it once was.

Regardless, let's watch and see if there are any big announcements about a new license at the GAMA Trade Show, Origins or Gen Con this year. If this game is going to go through, that is when I would assume that it would start to be talked about.

UPDATE THREE: Expect to hear more soon.

Do you have a tip one something big coming up? Let me know about it privately and I will keep all of my sources confidential.

Examining With Great Power: Grim Realism

For those who may not know, With Great Power was a column in Polyhedron magazine that explore campaign and rule variants for the original Marvel Super-Heroes game published by TSR. Rarely longer than a page or two, these articles looked at different ways to play the game, alternate rules, or something in between.

This particular column, written by then line developer Dale Donovan, talks about making the game more grim and gritty. This was actually a common complaint of the game among players at the time. The era not long after the Marvel Super-Heroes game originally came out saw a darkening of comic book super-heroes, and their stories. Frank Miller's classic Daredevil run for Marvel Comics was one of the inspirations for this article.

The rules are pretty simple, and mostly boil down to retasking already existing rules (which is the best way to do variants).

This is what the article suggested that you change to the Karma rules in the role-playing game:

Continue to use Karma as described in the rules. This will, in most cases, keep the level of mortality about the same as in other Marvel campaigns, if that is what you wish. Good role playing though, especially in a grim setting, will sometimes result in a hero giving up his Karma to kill a particularly dastardly foe. In the Born Again story line in the Daredevil comic a few years back, the Kingpin of Crime methodically destroys Matt Murdock's life after he discovers that Murdock is Daredevil. If Daredevil had been a PC hero in my campaign, I probably wouldn't have objected if Daredevil had killed Kingpin in retaliation, especially if the PC Daredevil was role played as mentally unhinged as the comic's Daredevil was.

Use the villain Karma rules (page 20, Advanced Set Judge's Book) regarding killing the underlings of "master criminals." PCs would lose 30 Karma points for each henchman, underling, or goon working for the main villain who is killed, instead of all their Karma. After all, the thugs aren't important; it's stopping the villain that's the goal. And, if some goons get in your way, too bad—they probably deserved it anyway. All other normal Karma rules apply, though exceptions, like the Daredevil example above, would still be possible.

Play the PCs as outright villains. Again, this is not recommended, as it's not in the heroic tradition of the comics or the game, but I can see where it might be fun to play your favorite Marvel villain and trash the Avengers or the X-Men. Use all the villain rules in the Advanced Set Judge's Book, pages 19-21. These rules are intended to help the GM run his NPC villains, but you can easily apply them to PCs as well. This means that PCs would gain Karma for committing crimes, beating up heroes, putting those defeated heroes
in deathtraps, etc.

I know that there are still a number of people playing the original Marvel Super-Heroes Roleplaying Game around the world, games still pop up on Google+ from time to time, so these variants may be useful to players/GMs in those games. They can also be useful for players of the 4C RPG as well.

You can download a PDF version of the article here.

The Apocalypse May Be Rescheduled

By Stephane Gaudry (Flickr: Demolition of the ECVB power plant) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

People who know me know that I like post-apocalyptic things. I loved Jack Kirby's Kamandi and OMAC (if you don't think that OMAC was post-apocalyptic you need to reread the comics), and as a kid I watched Thundarr every week. I even run Rifts every week (even though I would argue that setting is more like a post-post-apocalypse, sort of like Unhallowed Metropolis).

You're probably all wondering why I'm saying this. It is only because I've been working on the Swords & Wizardry Field Guide for City of Clocks, and I have a couple of other projects in the queue. Having all of this to keep me busy, of course, means that my brains keeps telling me that I need to write an RPG in homage to the first edition of Gamma World. Not a retro clone, we have plenty of those. More like a game that starts from the point of being the old Gamma World game, but adding some bits and pieces to it. Obviously there would have to be magic, because there's a magic-user in Thundarr. I would use the various D20 SRDs as the starting point for the work, and reconstruct the parts of the old Gamma World game that I like under the OGL.

I like the fact that the game was classless, for example. It was pretty ballsy of TSR at the time to not just rebuild D&D and slap a "science fantasy" label onto the game. But it also has that old school sensibility that I like, where the rules are the starting point and characters develop through play, and the actions of their players.

How long will I be able to hold this off? I don't know, but I'm planning on being strong.

We Have Been Playing Rifts

For a few months now, the weekly Google Hangout group has been playing the Rifts RPG from Palladium Games. We've been having fun. We started on Rifts Earth, moved to Phase World and now the characters are on the 21st century Earth. They aren't sure which 21st century Earth, however.

This does present challenges. There's a Hatchling Dragon and a Imperial Guardsman in the group, both powerful mega-damage characters. There's an Atlantean Ley Line Walker with some hefty spells. There's a Technomancer and a Rogue Scholar. Really, the last two are probably best suited for moving to "modern day" Earth. There is nothing saying that I can't introduce mega-damage creatures into the mix. This actually might be a good way to introduce the Minion War stuff that I have been interested in bringing into the campaign because I think this would make for a good challenge for the characters. I haven't decided yet. I'll give them a week or two to get the lay of the land in their new home before I start pulling any rugs out from under them.

In case you're interested, here are the videos of our sessions so far:

I am trying to make the make more of a sandbox for the characters, as you can see in the last couple of sessions that has led to a bit of paralysis on the part of the players, but we will get over that hump. I am thinking some Mega-Heroes from Heroes Unlimited, or maybe a couple of Godlings who are "undercover" on the Earth of the 21st century as super-heroes before deciding how hellish we may go.

The game has been fun. It has been a lot of fun for me to just be able to throw anything at the characters, and know that they will more than likely survive it (even at first level). I want big, and this will be the game that will give it to us, I think.

Horror Writer Nancy A. Collins Relaunches Horror Classic Vampirella

March 5, 2014, Mt. Laurel, NJ:  Dynamite is proud to announce that Nancy A. Collins, the author of Sunglasses After Dark and Vamps, will revive the iconic horror series Vampirella with a #1 issue in June.  Collins will be joined by talented artist Patrick Berkenkotter (Avengers/Invaders) for the new ongoing series.  Superstar illustrator Terry Dodson will provide the main cover, while a veritable who's who of industry talent will provide variant collectible covers.

"I'm very excited about taking over the reins on Vampirella," says Nancy Collins. "I've really been enjoying myself so far. In celebration of her 45th anniversary, I'm returning the book's focus to its horror roots and giving Vampirella a slightly darker edge.  Dynamite has been wonderful to work with, and have given me a great deal of support.  It's been some time since I last wrote for comics, and it feels great to be back!"

As the debut "Our Lady of Shadows" story arc begins, supernatural heroine Vampirella is sent by the Vatican to investigate the kidnapping of a little girl by the Cult of Chaos... only to become the centerpiece of a ritual invoking Lady Umbra, the sister-bride of Chaos.  Of the fateful repercussions, Collins says, "Vampirella's life is turned completely upside down, and she finds herself having to team up with the strangest bedfellow imaginable in order to battle both a demonic threat and an elite Vatican hit-squad."

Nancy A. Collins has spent the last twenty years writing novels, short stories, and comic books for fans of the supernatural, paranormal, and fantastical.  Her prose works include Sunglasses After Dark, featuring punk vampire slayer Sonja Blue, the YA series Vamps, a collection of Weird Western tales called Dead Man's Hand, and a collection of Southern Gothic stories entitled Knuckles & Tales.  Her comic book work includes Swamp Thing, Jason vs. Leatherface, Machina Jones, and Predator: Hell Come A'Walkin.

Artist Patrick Berkenkotter is a staple of Dynamite Entertainment, having contributed artwork to such titles as Red Sonja, Dark Shadows/Vampirella, Project: Superpowers, and two Dynamite/Marvel crossovers, Avengers/Invaders and The Torch.  "I cannot sing Vampirella artist Patrick Berkenkotter's praises loudly of often enough," says Collins.  "His pencils are spectacular, and he's able to make her sexy, menacing, and bad-ass all at the same time.  I think the fans are going to be pleased with his work when they pick up Vampirella #1, and I hope they take me to heart as well."

"My first exposure to Nancy's writing was in the pages of Swamp Thing, and I've always remembered her run.  When Gail (Simone) suggested Nancy to write one of the anniversary stories in Legends of Red Sonja, it was a great reminder of how good of a writer Nancy is.  As we were prepping for Vampirella's relaunch, and were discussing potential writers, Joe (Rybandt, Sr. Editor) commented that since we all liked Nancy's Red Sonja story, why not approach her.  The rest, as they say, is history.  Patrick illustrating Nancy's story, and Terry Dodson coming on board as the main cover artist really compliment the series as we go in to Vampirella's 45th Anniversary.  I'm confident that fans are going to love Nancy's take on Vampirella, and be in it for the long haul.  It's that damn good."  States Dynamite CEO/Publisher Nick Barrucci.

Dynamite will celebrate the new Vampirella series with a variety of cover options, including a Main cover by Terry Dodson (X-Men, Wonder Woman), Retailer Incentive covers by Jenny Frison, Sergio Fernandez Davila, Jack Jadson, Mimi Yoon, Ken Haeser, and a Subscription cover by Stephanie Buscema dedicated to those hardcore fans who place preorders with their local comic retailers.  Sergio Fernandez Davila (Legenderry: A Steampunk Adventure) has also created a Retailer Exclusive Variant image that can be tailored to promote individual comic shops.

Vampirella #1 will be solicited in Diamond Comic Distributors' April Previews catalog, the premiere source of merchandise for the comic book specialty market, and slated for release in June 2014.  Comic book fans are encouraged to reserve copies of Vampirella with their local comic book retailers.  Vampirella will also be available for individual customer purchase through digital platforms courtesy of Comixology, iVerse, and Dark Horse Digital.

"LIKE" DYNAMITE'S FACEBOOK PAGE TODAY!
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Join the conversation on Dynamite Entertainment's twitter page at http://twitter.com/DynamiteComics.

To find a comic shop near you, call 1-888-comicbook or visit http://www.comicshoplocator.com/.

For art and more information, please visit: http://ww.dynamite.com/

Alien Legion Returns Again!

In a galaxy savaged by strife, torn by civil war, boiling with spilt blood, Alien Legion is a cosmic military force doing its damnedest to keep the peace by being always ready for war.

At the tip of the Legion's multi-species spear is Force Nomad – the worst of the worst fashioned on the white-hot forge of battle into the best of the best. Now the squad's grizzled veterans are on what should be a boring milk run; shepherding refugees fleeing a civil war ripping apart their system. Could be a good chance to to toughen the newbies of Nomad into soldiers... until straight-up peacekeeping descends into full-scale war!

This brand-new series brings together the creative giants behind the legendary original Alien Legion stories: Chuck Dixon (Punisher War Journal, Savage Sword of Conan, Batman and the Outsiders) and Carl Potts (The Punisher, The Incredible Hulk) with fantastic art by Larry Stroman! (Wolverine, The Punisher).

A must-have for any fan of the original run, this is also the perfect point for new fans to hit Alien Legion's hot LZ! Get to it, ya damn bospors!

ALIEN LEGION: UNCIVIL WAR #1 hits stores on June 25.

Elric and Void Lead New Wave Of European Graphic Novels From Titan Comics

Following the phenomenal runaway success of Snowpiercer, Titan Comics continues in its bold mission of presenting the highest quality European graphic novels to a brand-new audience!

Titan Comics is thrilled to announce that Elric: The Ruby Throne & Void will be published in deluxe hardcover editions this September!

Elric: The Ruby Throne is the first in a series of graphic adaptations of legendary fantasy author Michael Moorcock’s signature creation Elric. Written by Julien Blondel and beautifully illustrated by Robin Recht, Didier Poli & Jean Bastide, this new comic adaptation of the Elric of Melniboné novels has been produced with the full and enthusiastic endorsement of Moorcock himself, who provides an exclusive introduction to this edition!

“The best graphic adaptation of the story,” writes Moorcock, “has to be the current one by Julien Blondel and his team. This is perhaps the first graphic version of Elric fully to capture the sense of utter decadence I tried to convey in the books.”

Gripping science-fiction thriller Void is illustrated by superstar artist Sean Phillips (Fatale, Criminal, Sleeper) and written by Herik Hanna (Bad Ass). Concerning the sole survivor of an interstellar prison ship, this tense and atmospheric graphic novel is Phillips’ first venture into science fiction!

“We’re very excited to be launching a range of European graphic novels, spear-headed by Mike Moorcock’s Elric and Sean & Herik’s Void,” said Nick Landau, Titan publisher.

From late 2014, Titan Comics will follow Elric: The Ruby Throne and VOID with a host of new projects including best-selling medieval thriller The Third Testament: The Chronicles of Legion, which is the prequel to Fabien Nury & John Cassaday’s I Am Legion, and The Rage; a shocking horror about zombie children.

Void will hit comic and book stores from September 2, 2014.

Elric: The Ruby Throne will hit comic and book stores from September 16, 2014.

Void and Elric: The Ruby Throne will also be available to read on the iPad, iPhone, Web, Android and Kindle Fire, exclusively through the comiXology app and comiXology.com

To keep up-to-date with news from Titan Comics, visit www.titan-comics.com , join us on Facebook or follow @comicstitan on Twitter.

Orin Rakatha RPG Kickstarter

Always complaining about not having enough campaign settings to try out? Well, if you are there is a new Kickstarter for you: Orin Rakatha, a decades-old fantasy LARP campaign that is putting itself to paper. We'll move on to the general information on the project next but before that I want to point out that this article -- and all following Kickstarter articles -- will be a bit different as I will also giving my opinion on how the the projects have been set up. That will be towards the end, and since we are still near the beginning -- let's move on.

Orin Rakatha is a fantasy setting that has been designed over some 27 years by associations of LARPers in the U.K. The books will be system-less but feature stats for Pathfinder (and potentially others, like FATE and 3.5).What's the actual setting like? From the Kickstarter page: "a land ravaged by abhorrent creatures, warring nations and powerful magic. Where the only sanctuary can be found within magical sentient towers that the people band together to live within." The 'sentient towers' is the part that sticks out here to me, but there wasn't really much else about them on the page, unfortunately. We'll get into that later in the article, up next is the pricing and goodies.

The Orin Rakatha Kickstarter has a pretty good range of backing levels but the ones we're interested in are the book levels. Starting with the lowest -- just the PDF -- you can get your hands on all of the books in PDF form for as low as £10 in a limited 'early bird' special, with the normal price being £15. For a printed copy you can get just one book for £20 or all of them in soft back for £35 (shipping outside the U.K. is extra). Finally, if a hardbound copy is what you are looking for, there is a limited edition one on offer for £50. Apart from books there are also various ways to get your character into the books and setting material -- either with just text or with art and even a 28mm miniature likeness.

And so we arrive at the new part of these articles -- my thoughts on the Kickstarter project itself. The first thing that caught my eye on the page was the concept art -- there is a good bit of it and I don't know how it all really relates to the setting (there is some description text, but without more context it doesn't help too much), but I really liked the concept art.

The page has a tidbit of information on the setting -- a chunk of which I pasted in above -- but not enough to give me a good sense of what this setting is really about and why I would want to run or play in it. Instead there seems to be a good deal of text given to talking about how Orin Rakatha is a decades old LARPing campaign that has seen a lot of work and such over the years. That is fine, but not really what I am looking for here. I wanted more setting information, less background to the development of it.

The rest of the page basically just mentions that they really want better art, gives a brief description of each book and then the breakdown of expenses and risks. I liked the clear breakdown of expenses -- hopefully it will be something that is stuck to and prevents the wasting of funds (which has been a problem in Kickstarters before).

The funding point may be just a bit too high, as this is largely a system-less setting, but it isn't completely out of the park. Taking off a portion of the art budget to lower the funding goal and setting that up as a stretch goal might have helped to ensure funding is met. The backing levels are good, though it being in GBP does make it a bit pricey for me, at least. I liked the wide use of incorporating backer's characters into the setting and the range of price options for that. You tend to see that in just the higher backing levels of many projects, but its something that a system-less book could really set as a selling point. I might would even go further and include one more lower option in the same vein, if it proved popular enough.

Lastly, the video was alright. It had some humor in it, which is appreciated. The sound levels were a little off during a couple small parts, though. Mostly, it just briefly covered what the page had, which is just fine.

Overall, the biggest complaint that I had was not enough information about the setting on the page. They are selling the setting and the focus of the page should be on that. Especially since there is the nice concept art all over the page -- I would like to know more, which is good, but the information needs to be there.

And that wraps that up, I think. If you would like to see some of the fancy concept art mentioned above, or poke around to see what you can learn for yourself, be sure to check out Orin Rakatha's Kickstarter page and their website.